But much will be updated for this revival, including the choreography - which is being overseen by N.C.-born JaQuel Knight, director of the dancing in Beyoncé videos “Single Ladies” and “Formation,” among others. 7–12 at Belk Theater: Much will be familiar to fans of the original 1975 production it remains a reinterpretation of “The Wizard of Oz” that features an all-Black cast. So a lot of prayers have been answered with this.” … I mean, people have been waiting so long to have a first-class production of ‘Funny Girl’ on Broadway, and it’s been over 25 years since we’ve had a first-class tour of it. “For the most part, with shows that go on tours, star casting has a limited role to play. Who’ll play Fanny in Charlotte? “We don’t know,” Gabbard says. Tryon St.: The revival of the musical inspired by the unlikely success story of Fanny Brice - a comedienne who became a Broadway legend - has been enjoying a successful NYC run, with “Glee” star Lea Michele in the role made famous by Barbra Streisand almost 60 years ago.
#Coming soon to a theater near you full#
Here’s Blumenthal’s full schedule for next season, along with some additional thoughts from Gabbard on the most notable shows. Doubtfire,” “Back to the Future,” “Beetlejuice,” “The Lion King” and “Mean Girls” - all of which are coming soon to a theater near you. Hence the growing demand for and popularity of Broadway-musicals-based-on-movies like “Moulin Rouge!,” Mrs.
But I think right now, people want to be together, but they want some certainty that it’s gonna be a great experience.” “Hopefully, we get back to a time when people are just more curious about these things. “The risk that some people were ready to take (on unknown quantities) pre-pandemic is maybe a little bit less right now,” he says. Gabbard says the trend of reimagining films as Broadway spectacles started with “The Lion King” in 1997 and has been growing ever since, but thinks theatergoers are more prone than ever before to gravitating toward stories that offer familiar comforts - stories that they view as sure things.
Which is to say: Get ready to see a surprising number of musicals inspired by beloved movies. The second theme, meanwhile, relies heavily on Hollywood. “I’m proud,” Gabbard says, “that we’re able to aspire to do things like that, that are very unique, that are absolutely wonderful, and are only being seen in a handful of cities.” On top of that, two of the tours announced by the Blumenthal on Tuesday morning haven’t even opened on Broadway yet. The first is exclusivity: Blumenthal president Tom Gabbard says six of the 17 shows set to be staged in Charlotte between this October and October of 2024 won’t be seen by audiences anywhere else in our region (which he is defining as the Carolinas and Tennessee) until 2025 at the earliest. Still, it’s a fascinating time capsule and worth clicking below.There are two key themes to note when considering the lineup of Broadway tours just announced for Blumenthal Performing Arts’ 2023-2024 season. Here, you can see them review “ One Flew Over The Cuckoo’s Nest” and talk about cinema at the time in general, but without the chemistry they’d later generate. “Life Itself” does a terrific job at really exploring the contentious relationship that eventually found the enemies growing into (very competitive) friends, who respected each other deeply, even if when the cameras were rolling, they sparred heavily. With the documentary opening soon, there’s no better time than to sit back and see where all the bickering started between Siskel and Ebert.
#Coming soon to a theater near you movie#
But undoubtedly, one of the most key figures in Ebert’s life was Gene Siskel, with the pair first hitting the airwaves in September 1975 with a movie review show, clunkily named, “ Opening Soon at a Theater Near You.” (Thank goodness they changed that.) And now you can watch how it all began. The documentary tells the rather incredible life story of the nation’s most famous and beloved film critic, the man who both wrote “ Beyond The Valley Of The Dolls” and won a Pulitzer Prize for his criticism. This week, Steve James‘ touching, moving portrait of Roger Ebert, “ Life Itself,” will start rolling out to theatres.
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